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we met him in march of 1964.

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i arranged a lecture at the civic center

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about 10 miles away at groningen

4
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and we became friends i knew him only

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one year and one month

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the last year of his life and he visited

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from california

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here about five times in that last year

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of his life just

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intermittent he didn't stay at this

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house all that time

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but on on february 26 approximately

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eight o'clock in the morning

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a

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friend

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contact of mr adamski came to this house

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i was still asleep

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but when i got up mr adamski told me

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that

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cameras ready

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for filming later in a day

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and of course i didn't

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had never

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seen one so close before or i didn't

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expect that they were going to come

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hovering that close in my yard i would

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have rented a polaroid or prepared with

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more cameras but

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mr adamski actually helped me put film

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in the little eight millimeter bell and

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howl movie

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camera

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and we waited now we they they did not

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tell him what time they were coming

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but this this was early in the morning

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but this was middle of the afternoon

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about 3 30 when we noticed them at a

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distance

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and he's

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we were at the dining window looking out

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and uh

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they came in closer and by the way

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three

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more

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spacemen came

46
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and knocked at the door

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just before the incident

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and and mr adamski went and they told

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him to

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they said get your cameras ready they're

51
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coming

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now that is how close he was associated

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with those people from other planets

54
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and uh it's difficult to believe but

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they looked just like american

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one of them had brown hair and one had

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dark hair and one had slightly gray hair

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and they parked in a car i believe it

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was an oldsmobile but i don't know the

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year down here at the street

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when they came and then the spaceship

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came and we went outside but i had a

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broken leg i had fallen

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the month before in my living room and i

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was in a walking cast

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and

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so but i was able to walk around but

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with a little limping difficulties but i

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did get around

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and

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but when we came out on the porch

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up here and started to film

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uh he told me to film and he was going

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to film i said george i can't do this

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i'm too wobbly and i had not had the

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camera but two months my husband had

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given it to me for christmas

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just two months before

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so i handed him he said okay i'll do it

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so i gave him my camera and he laid his

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down

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and we filmed it on he filmed it then i

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started you know

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but i wasn't sure of myself and i didn't

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want to miss it so i gave the camera to

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him and he finished filming it but i was

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you know

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pumping around in the background and and

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able to walk of course with uh without

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too much difficulty with this castle

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but they only stayed about approximately

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10 minutes

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they did not land

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they did not get out of the spacecraft

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but there were

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glimpses

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of

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people

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through the round windows

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and they they maneuvered they came in

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here it was a low humming and a low

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swishing sound and they came in

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when they got close here they came in

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very slowly

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and these it was round and there were

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three

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of these

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well about this size i guess these

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landing gears underneath and they were

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going like this retracting in and out

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and they told george later it was for

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stabilization

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if they'd put all of them out they would

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have had to land

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and they kept one retracted all the time

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and the other two were

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going in and out but anyway

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low swishing low humming sound and it

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wasn't real loud but there was

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definitely a motor sound accompanied

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with it

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and uh it was

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a blue a

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brilliant royal

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uh between a royal and a purple and blue

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in color it was a beautiful blue

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and deeper blue than this and uh it was

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around

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and as it moved it looked crooked you

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know and owned the film it shows this

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slight distortion and it looked you know

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lopsided and so on but they were moving

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and and putting on this performance

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for mr adamski and to back up you know

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his efforts to get the world leaders to

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tell the truth about the visitors from

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other planets

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they they were demonstrating

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they wanted him to capture this on film

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their abilities to do certain maneuvers

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and they wanted him to have this proof

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to show the people of the world because

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our world governments have better film

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and they haven't shared any of them with

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us and they wanted mr abskey to have

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this piece of film to show

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you know to the audiences when he was

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speaking

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how they do these certain maneuvers they

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did this on purpose

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bob oxler a robotics engineer and former

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mission specialist of the nasa goddard

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space flight center in greenbelt

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maryland is also convinced of the rotter

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for films authenticity

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he believes the flight pattern indicates

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an energy field which enables the disc

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to maneuver independently of terrestrial

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the

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clearly showed something that you could

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not see with the naked eye and looking

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at the film or even looking at the

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individual prince under under close

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scrutiny and that there was a

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a haze if you will a very tight haze

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almost like a fuzzy outline

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around the

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uh the craft itself on the image now

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this of course compared to the trees uh

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that are visible in the film

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which were crystal clear and very well

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in focus in other words you have a very

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sharp contrast uh you immediately might

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be concerned about the possibility of uh

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capabilities of double exposure which is

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of course very difficult to do with film

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uh however in this particular case we

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found it very very intriguing that the

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craft itself had very very sharp

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contrasting uh edges along where the

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porthole areas are and around the top of

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the cab

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but especially in the bottom portion of

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the craft we began to see

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that there was

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light emitting

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from the craft but this was not a light

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such as a glow like a reflection you'd

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get if somebody was projecting a light

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onto an object

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this was rather interesting because

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it tended to suggest that there was some

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form of energy uh associated with the

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vehicle itself that was actually causing

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this sort of a red glow in the

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undercarriage area

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but that along with the

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glow that we were getting the sort of a

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haze a very very distinct fine haze

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around and very very close to the craft

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itself through the images uh suggested

202
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that there was an actual radiation

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effect

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almost i guess you could liken it to a

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mirage effect people are fairly familiar

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with when you uh ride down the highway

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during the summer uh you look across and

208
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you can see the heat rising and it tends

209
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to distort images that are behind

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the the mirage well this is very similar

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to the effect that we saw on this object

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uh suggesting several things one that

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you were actually looking at a

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three-dimensional object as something

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that was superimposed onto the film uh

216
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that

217
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again suggested credibility with regard

218
00:08:01,510 --> 00:07:59,840
to the film uh and secondly it suggested

219
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that there was technology associated

220
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with it this was not just uh you know a

221
00:08:07,189 --> 00:08:05,440
trash can lid or something that was just

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casually thrown up in the air while

223
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filming was going on so uh began to

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become much more encouraged with what i

225
00:08:16,309 --> 00:08:14,319
was seeing and the more i began to look

226
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into the individual segments uh the the

227
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film itself the motion we began to see

228
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things uh that you might like into a

229
00:08:24,070 --> 00:08:23,039
distortion in other words the craft

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itself

231
00:08:29,589 --> 00:08:26,879
uh physically changed shape now not the

232
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whole craft but it seems that portions

233
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of the craft change shape now this was a

234
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product either of uh what you might call

235
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an optical illusion as a result of the

236
00:08:40,070 --> 00:08:38,000
technology associated with the craft the

237
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method that it used to maintain its

238
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levitated state uh

239
00:08:47,509 --> 00:08:45,600
to violate gravity uh or it was a a

240
00:08:50,230 --> 00:08:47,519
mechanical apparatus associated with the

241
00:08:52,710 --> 00:08:50,240
craft itself we noticed that uh the ball

242
00:08:55,430 --> 00:08:52,720
structure in the bottom of the craft uh

243
00:08:58,389 --> 00:08:55,440
in concert with the receiving of these

244
00:09:00,710 --> 00:08:58,399
individual structures uh that the one

245
00:09:02,710 --> 00:09:00,720
portion of the craft had an indentation

246
00:09:04,230 --> 00:09:02,720
that would go in every time this one

247
00:09:06,790 --> 00:09:04,240
ball would go up and then it would come

248
00:09:10,070 --> 00:09:06,800
back out into a round uh

249
00:09:11,190 --> 00:09:10,080
desk a circular area so i i think that

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00:09:14,070 --> 00:09:11,200
uh

251
00:09:16,310 --> 00:09:14,080
these features all collectively more

252
00:09:18,630 --> 00:09:16,320
than anything else uh

253
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and even more than the testimony of

254
00:09:23,590 --> 00:09:21,680
madeline wrote it for herself and uh the

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00:09:25,829 --> 00:09:23,600
historical testimony

256
00:09:27,750 --> 00:09:25,839
of george adamski prior to uh to his

257
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death regarding this this particular

258
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event uh all tend to suggest that uh

259
00:09:36,310 --> 00:09:33,360
we're probably dealing with an authentic

260
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case and i i think it's time that

261
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perhaps some researchers of historical

262
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value would probably want to go back and

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take a much closer look at the george